Univers Font Family (Includes 27 Typeface) For vast uses, you should use for its commercial version. If you want to get full benefits from this typeface then buy its license because the typeface is in a free version that you can utilize only in your personal project with some little features. How about 20,000+ Commercial Fonts with Unlimited Downloads This typeface is also employed in various Apps such as Signage, Maps, Corporate Branding, Standardized testing, and many electronic devices. It can be also used in many programs like Microsoft Word, Adobe Photoshop, Adobe Indesign, Illustrator, CSS, and many more. You can also use this typeface in any type of design projects such as logo designs, business cards, product packaging, banners, book covers, social media purposes, advertisements, online and offline newspapers, magazines, post descriptions, t-shirt designs, and many printing projects. Its modified version was used in the Swiss International Airline while previously they had used Futura Font. Besides, this font is also great for any type of headline because of its huge weight. It has amazing textures look that is perfect for your large and short paragraphs. There is no place that it can’t be used, you can use this typeface anywhere in your text, graphics, designing projects. You can use this tool free of cost and without downloading. Univers font generator tool is providing a free service of instant designs. It also contains many versions and styles that are Condensed, Bold, Regular, Italic, Black, etc. This typeface contains 59 weights and was reproduced with advanced features by the Linotype and Frutiger. He created this typeface with extra care and to keep maintained with amazing alignment from extra-condensed to extended and light to dark. This amazing typeface was released by the two French Foundry named Linotype and Deberny & Peignot. The resultant typeface was originally titled, Roissy, though it was named after Frutiger in 1976, when it was released for public use.This typeface is also known for making content more visible. He took a different approach to the matter and altered the Univers typeface and fused it with organic influences of the Eric Gill’s Gill Sans typeface. Frutiger first decided to adapt Univers typeface but then relinquished the idea considering a little outdated. He was required to design a way-finding signage alphabet and in such way that is both legible from afar and from any angle. Upon the successful reception of this modern typeface, the French airport authority commissioned him yet again to work for the new Charles de Gaulle International Airport. It was a set of capitals and numbers designed for white-on-dark-blue backgrounds visible especially under poor lighting. Moreover, he recreated Univers typeface in a variant font. Egyptienne was one of those typefaces that had him commissioned for photocomposition.ĭuring early 1970s, upon the request of the public transport authority of Paris, Frutiger inspected the Paris Metro signage. In a few years, he designed slab-serif typefaces. Frutiger clearly demonstrated his ideas of letter construction, unity, and organic form in Méridien. The typefaces were inspired by Nicholas Jenson’s work. Then Méridien appeared the following year, illustrating a glyphic, old-style, serif text face. It was followed by Ondine, a calligraphic, informal, script face which translated as Wave in French. It was designed in a manner that showcased a set of titling capital letters with small, bracketed serifs. In 1954, Frutiger’s first commercial typeface Président was released. Upon witnessing his marvelous work, Charles Peignot assigned Frutiger to convert extant typefaces for the new Linotype equipment, phototypesetting. At the foundry, he designed various typefaces including Ondine, Méridien, and Président. His wood-engraved essay illustrations displayed his meticulous skills and knowledge of letterforms. Frutiger illustrated the essay, Schrift / Écriture / Lettering: the development of European letter types carved in wood, which earned him a job offer at the French foundry Deberny Et Peignot by Charles Peignot.
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